Full-Text Search
  • Full-Text Search
  • Artist / Producer
  • Studio
  • Building / Institution
  • Location
  • Type of Object
  • Iconclass Keyword
  • Reference Number

    Image Ordered

    GE_18.04: Présentation de Marie au Temple
    (GE_Geneve_BasiliqueNotreDame_18.04)

    Contact Details

    Please specify your first name.
    Please specify your name.
    Please specify your e-mail address.
    The e-mail address is invalid.

    Please provide as much information as possible (publication title, database, publisher, edition, year of publication, etc.).

    The Vitrocentre Romont can only provide you with its own photographs. We regret that we cannot supply images from third parties to you. If your order concerns photographs from third parties, we will send you the contact address from which the images can be obtained.

    The personal data you provide in this form will be used by Vitrocentre Romont exclusively for the processing of your image order. Correspondence regarding the order will be archived for internal reference. The data will not be used for purposes other than those listed here, nor will it be passed on to third parties. By sending the order form, you agree to this use of your personal data.

    Should you have any questions, please send us an e-mail: info@vitrosearch.ch.

    Title

    Présentation de Marie au Temple

    Type of Object
    Stained glass
    Artist / Producer
    Lavergne, Claudius
    Studio
    Atelier Lavergne, Paris
    Dating
    vers 1861
    Dimensions
    410 x 100 cm
    Location
    Basilique Notre-Dame, Genève
    Place
    Chapelle de la Sainte-Famille, choeur, s IV
    Inventory
    Geneva (Canton)

    Iconography

    Description

    Anne et Joachim amènent Marie sur le parvis du Temple, à l’entrée duquel un prêtre l’attend les bras ouverts. Trois anges dominent la scène. En bas, les armoiries du donateur

    Iconclass Code
    46A122 · armorial bearing, heraldry
    73A34 · dedication (or presentation) of Mary in the temple: she ascends the steps and is received by the high priest
    Iconclass Keywords
    dedication · high priest · presenting a person · step (stair) · temple
    Inscription

    AUDI FILIA ET VIDE ET INCLINA AUREM TUAM ET / OBLIVISCERE POPULUM TUUM ET DOMUM PATRIS TUIS (cartouche sous la scène) / AUXILIUM NOSTRUM A DOMINO (banderole au-dessus armoiries) / FAMILLE FEGELLI-MAILLARDOZ (cartouche en bas)

    Signature

    Aucune

    Technique / State

    Technique

    Vitrail au plomb, grisaille

    History

    Research

    1981, restauration de Michel Delanoë, Servion

    Dating
    vers 1861
    Period
    1860 – 1862

    Bibliography and Sources

    Literature

    Abbé Lany, Notre-Dame de Genève: notice, Genève, 1868

    Edmond Ganter, “Alexandre-Charles Grigny (1815-1867) architecte de l’église Notre-Dame de Genève”, in Genava – Genève, tome 26, Genève, 1978, pp. 277-285

    Armand Brulhart et Erica Deuber-Pauli, “Rive droite”, in Ville et canton de Genève, coll. “Arts et monuments”, SHAS, Berne, (1ère éd. 1985) 1993, pp. 147-148

    Claude Lapaire, Notre-Dame de Genève, Paroisse Notre-Dame, Genève, 2000

    Anastazja Winiger-Labuda (coord.), “La basilique Notre-Dame”, in Genève, Saint-Gervais: du bourg au quartier, coll. “Les monuments d’art et d’histoire du canton de Genève”, tome 2, SHAS, Berne, 2001, pp. 152-167

    Catherine Courtiau, La Basilique Notre-Dame de Genève, SHAS, Berne, 2013

    Image Information

    Name of Image
    GE_Geneve_BasiliqueNotreDame_18.04
    Credits
    © APAS (Association pour la Promotion de l'Art Sacré), Genève – photographe : Cyrille Girardet, Veyrier
    Date
    2006

    Inventory

    Reference Number
    GE_18.04
    Author and Date of Entry
    Valérie Sauterel 2008
    We use cookies to compile statistics. You can find more details about these cookies in our Privacy Notice. By using the web site, you agree we can set and use cookies.