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    Image Ordered

    TG_769: Guter Hirte-Fenster
    (TG_Ermatingen_ParitaetischeKircheStAlbin_TG_769)

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    Title

    Guter Hirte-Fenster

    Type of Object
    Stained glass
    Artist / Producer
    Wanner, August
    Studio
    Engeler, Andwil SG
    Dating
    1951
    Dimensions
    420 x 150 cm
    Location
    Paritätische Kirche St. Albin, Ermatingen
    Place
    Chor I
    Inventory
    Corpus Vitrearum Thurgau · Corpus Vitrearum · Thurgau (canton)

    Iconography

    Description

    Das kleinteilig strukturierte Spitzbogenfenster zeigt Christus als Hirten mit Stab und Schafen. Im Bogenfeld ist die Rückkehr des verlorenen Sohnes dargestellt, begleitet von zwei Medaillons mit Christusmonogrammen. Im Sockel wird die Inschrift “Pastor Bonus” sichtbar.

    Iconclass Code
    11D11 · letters and monograms ~ symbols of Christ
    11D111 · alpha and omega, sometimes with wreath, triangle, instruments of the Passion, etc. ~ symbol of Christ
    11D3271 · Christ as Good Shepherd
    73C86461 · the prodigal son kneels before his father who takes him in his arms
    Iconclass Keywords
    alpha and omega · embracing · Good Shepherd · instruments of the Passion · kneeling · letter (character) · monogram · omega · triangle · wreath
    Inscription

    INRI
    PASTOR BONUS

    Signature

    A. Wanner 1951

    Technique / State

    Technique

    Farbloses und farbiges Glas, Bemalung mit Schwarzlot.

    History

    Dating
    1951
    Owner

    Paritätische Kirchgemeinde Ermatingen

    Bibliography and Sources

    Literature

    Bosshard, A., Funk, P. & Raimann A., (1988). Ermatingen und Triboltingen TG. Schweizerische Kunstführer. Bern: Gesellschaft für Schweizerische Kunstgeschichte, S. 10.

    Image Information

    Name of Image
    TG_Ermatingen_ParitaetischeKircheStAlbin_TG_769
    Credits
    © Vitrocentre Romont (Foto: Hans Fischer)
    Date
    2018
    Owner

    Paritätische Kirchgemeinde Ermatingen

    Inventory

    Reference Number
    TG_769
    Author and Date of Entry
    Eva Scheiwiller-Lorber 2016; Sarah Keller 2021
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