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IG_472: Glasmalerei mit Sternen in Kairo
(BE_Bern_Burgerbibliothek_IG_472)

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Title

Glasmalerei mit Sternen in Kairo

Type of Object
Artist / Producer
Dating
1848–1850
Dimensions
41.5 x 27.7 cm

Iconography

Description

This pencil and watercolour drawing made by the Bernese architect and draughtsman Theodor Zeerleder (1820–1868) depicts part of a stucco and glass window with the motif of six-pointed stars in blue surrounded by hexagons in red. Zeerleder added a pencil annotation to the drawing.

Iconclass Code
48A981 · ornament ~ geometric motifs
48A9815 · ornament ~ starforms
49D352(6) · regular polygon: hexagon
Iconclass Keywords
Inscription

Blumen auf schwarzem Grund (in the central upper part of the drawing, text in German).

Technique / State

Technique

Pencil and watercolour on paper

History

Research

The Bernese architect and draughtsman Theodor Zeerleder (1820–1868) executed this pencil and watercolour drawing between January and March 1848. At this time, he was visiting Egypt for the first time, as part of a larger journey through the Ottoman Empire. He stayed in Cairo from 1 January to 26 March 1848. At the end of the following year, Zeerleder made a second journey to Egypt, travelling along the Nile from Cairo to Wadi Halfa and back (Bäbler/Bätschmann 2006, pp. 57–80 and 128–135; Stiftung Schloss Oberhofen, 2015, pp. 8 and 28).

It was Bonaparte’s expedition to Egypt (1798–1801) that paved the way for architects and artists, among others, to take an educational journey to Egypt as part of a so-called ‘Grand Tour’. From the early 19th century, travelling through the Mediterranean became fashionable, and an increasing number of European architects, among them Zeerleder, travelled to the land of the pharaohs to study its Islamic heritage. Both journeys to Egypt contributed to Zeerleder’s formation as an architect, and the drawing presented here bears witness to his intensive study of Islamic architecture, including Cairene stucco and glass windows.

This is a pencil and watercolour study of part of a stucco and glass window with the motif of six-pointed stars in blue surrounded by hexagons in red. Zeerleder has added the pencil note ‘Blumen auf schwarzem Grund’ (‘flowers on a black ground’) in the central upper part of the drawing. The drawing is part of a larger corpus of artworks that he made on site in Cairo and which is today held at the Burgerbibliothek Bern in Switzerland.


In his journal, Zeerleder provided a description of the stucco and glass windows of a private house in Cairo: ‘Die Fenster in dem Mandarah sind an den Enden der Kreuzesarme angebracht u[nd] sind in der Regel 2 übereinander, getrennt durch einen rings um laufenden, vorspringenden Laden, der zum Aufstellen kostbarer Gefässe etc. dient. Die oberen Fenster sind in der Regel von gefärbtem Glas. Sie sind aus Gyps gegossen, u[nd] die gefärbten Glasstücke in den äusseren Rand eingedrückt. Gewöhnlich stellen sie Blumentöpfe, oft auch mathematische Figuren vor u[nd] sind oft sehr geschmackvoll.’ (‘Journal’, Burgerbibliothek Bern, Mss.h.h.XLIV.178, pp. 110–116, cited from Bäbler/Bätschmann, 2006, pp. 213–214).

After his return to Switzerland, Zeerleder’s corpus of drawings and watercolours served as a basis for the designs of windows that were to be executed in the traditional European technique with lead cames, but with motifs derived from Cairene stucco and glass windows. In 1854, Count Albert Alexander de Pourtalès (1812–1861) entrusted Zeerleder with the conception and execution of the Selamlik in Oberhofen Castle (IG_322IG_327), an Arab-style interior with neo-Islamic stained-glass windows inspired by colourful Egyptian stucco and glass windows (Bäbler/Bätschmann 2006, pp. 168–173; Giese, 2016; Giese, 2019; and Keller 2019). This drawing, which was probably executed by Zeerleder in Cairo, provided the template for the two windows (IG_327 and IG_328) in the north wall in the castle (Keller, 2020, p. 55).

Dating
1848–1850
Period
1848 – 1850
Inventory Number
GR.B.1104

Bibliography and Sources

Literature

Bäbler, M. & Bätschmann, M.T. (2006). Mit Zirkel und Palette. Bern: Stämpfli Verlag.

Giese, F. (2019). Orientalisierende Fumoirs in der Schweiz: Islamische Architekturzitate zwischen Nachahmung, Abguss und Assemblage. In F. Giese, L. el-Wakil, & A. Varela Braga (Eds.), Der Orient in der Schweiz / L’Orient en Suisse: Neo-islamische Architektur und Interieurs im 19. und 20. Jahrhundert. Welten des Islams, 10 (pp. 59–84). De Gruyter.

Giese, F. (2016). The Oberhofen Selamlik: A Cairene mandara made in Switzerland, In The Myth of the Orient. Architecture and Ornament in the Age of Orientalism. Proceedings of the international Conference held at Oberhofen Castle, 12 June 2015 (pp. 181-200). Bern: Peter Lang.

Giese, F. (2019). Orientalisierende Fumoirs in der Schweiz: Islamische Architekturzitate zwischen Nachahmung, Abguss und Assemblage. In F. Giese, L. el-Wakil, & A. Varela Braga (Eds.), Der Orient in der Schweiz / L’Orient en Suisse. Neo-islamische Architektur und Interieurs im 19. und 20. Jahrhundert. Welten des Islams, 10 (pp. 59–84). De Gruyter.

Keller, S. (2020). Farbe des Orients. In F. Giese (Ed.), La redécouverte de la couleur (pp. 47– 64). De Gruyter.

Stiftung Schloss Oberhofen (2015). Mythos Orient: Ein Berner Architekt in Kairo. Hünibach: Jost Druck AG.

Exhibitions

18.5.2024–1.9.2024: Luminosité de l’Orient, Vitromusée Romont

Image Information

Name of Image
BE_Bern_Burgerbibliothek_IG_472
Credits
© Burgerbibliothek Bern
Link to the original photo

Inventory

Reference Number
IG_472
Author and Date of Entry
Sarah Tabbal 2024